POST LOGIC STUDIOS CHOOSES A DIGITAL CINEMA PROJECTOR BY DIGITAL PROJECTION INTERNATIONAL TO SUPPORT DIGITAL INTERMEDIATE WORKFLOW

MANCHESTER, UK & KENNESAW, Ga., (September 26, 2003) – Digital Projection International (DPI), an Emmy® Award-winning manufacturer of high-performance projection systems, announced Post Logic Studios has chosen the company's iS10 DLP Cinema™ projection system to support its new end-to-end digital intermediate process - Post Logic Cinema Digital.

Post Logic Studios' digital intermediate services, recently used for digital intermediate colour processing on such projects as "Spy Kids 3D: Game Over", encompass telecine, colour correction, online assembly, digital intermediate film-out and down conversion from an on-site 1500-square-foot digital theatre at the facility's headquarters in Hollywood, CA. The Digital Projection Cinema-branded iS10 projector has been installed in this space, which also features a 24x10-foot screen and 5.1 stereo surround sound.

"We purchased the iS10 after a three-week demo in which we colour-corrected elements for HD video and film outputs", said Merle Sharp, VP of Engineering at Post Logic Studios. "The 4.4.4 capability allowed us to stay in full bandwith colour space for colour correction monitoring. The auto turret makes 1.85 and 2.39 lens changeover very easy, removing the need for manual lens alignment and handling. It is very easy to set look-up tables and match our film projector for film outputs. And we've been impressed by the iS10's reliability and picture quality."

The new Post Logic Cinema Digital theatre gives clients an optimal "real-world" environment in which to colour time and monitor their movies for film or digital cinema release with top industry colourists. Masters for theatrical prints, as well as final files for all digital and electronic release, can be prepped with full-frame, slow-motion and frame-to-frame comparisons using the iS10 projector and a film projector. These new capabilities enable Post Logic Studios - already a digital mastering destination favoured by directors Steven Spielberg, Sam Mendes and Francis Ford Coppola and DPs ranging from Vittorio Storaro to Janusz Kaminski - to offer filmmakers the same level of interaction and control over the look of a theatrical release that has long been enjoyed for creating television, after-market video and DVD versions.

"For the past decade, Post Logic Studios has demonstrated the vision and commitment to continuously embrace the latest technology and offer their customers the very highest standard of end-to-end services", said Peter Nicholas, Digital Projection's Director of Cinema Sales and Marketing in the Americas. "DPI is excited to be playing a key role in the facility's new digital intermediate service offering."

DPI's work with Post Logic Studios further bolsters its reputation for providing Hollywood studios, premier post-production companies and screening rooms with high-performance digital projection solutions. DPI was first to introduce DLP™ technology to Hollywood in 1996 and has worked closely with industry professionals ever since.

About Post Logic Studios

Post Logic Studios has been a Hollywood mainstay in high-end post-production for over ten years. The company provides unmatched digital mastering, post-production, visual effects, and audio post-production services to feature film, commercial and television clients from its flagship Hollywood facility and Santa Monica-based effects boutique creocollective.

Encompassing a team of the feature film and commercial community's most talented digital artists, Post Logic Studios continues to lead and innovate in the quality of its work and its technical service offerings. For more information about Post Logic Studios, please visit http://www.postlogic.com