That cutting-edge specification called for a 4K, dual projector system that reflected 2.0 ft. lambert of brightness straight back off the dome of 45% reflectivity, whilst projecting white at full power. The successful solution required more than 10M unique pixels on the dome and less than or equal to 3.0 average arc minutes per pixel, as well as a native contrast ratio of 2000:1 and brightness at 5,000 Lux per projector.
The choice was indeed right, as the difference between the image quality of the offered solutions was quite disparate, as Brummel states: “Every time I’d seen demonstrations of laser projectors at conferences, I was astonished by how much better the image was than the lamp-based projectors. The form seemed so much richer in colour in comparison. The laser system was our preference because of its superior image quality and long-lasting light source. The final visual aspect is very impressive and the image is as rich and bright as I’ve expected.”
The installation itself was very straightforward, according to Tetu, who was delighted to be able to introduce further cost savings to the customer. Due to the Digital Production INSIGHT Dual Laser 4K projection solution’s ability to drive a 4K 60p signal over a single cable, where other models require two or even four cables to support the same signal, a significant cost reduction associated with extenders and cables was applied.
He concludes: “We were very pleased with the end result. The image is great and the projector is quieter than expected. When we were in touch with Digital Projection through different phases of the project, we found them to be supportive and our experience with the company and this projector was positive. So much so, we are already including this projector in offers to other potential customers.”
Pictures courtesy of the Bell Museum and University of Minnesota